Remembering “Blade Runner” on its 3. Anniversary“Even after decades of imitators, bigger budgets and more advanced technology, Blade Runner still stands high as a groundbreaking, unparalleled masterpiece.” — Dangerous Days: Making Blade Runner documentarian Charles de Lauzirika.

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 3. Blade Runner, Ridley Scott’s neo- noir sci- fi adaptation of Philip K. Dick’s Do Androids Dream of Electric Sheep?, starring Harrison Ford, Rutger Hauer, Sean Young and Edward James Olmos. Read on here..]Blade Runner, one of the most influential films ever made, opened in theaters 3.

For the occasion The Bits features a compilation of statistics, trivia and box- office data that places the movie’s performance in context; passages from vintage film reviews; a reference/historical listing of the film’s premium- format presentations; and, finally, an interview segment with a trio of film historians and documentarians who discuss the virtues, shortcomings and influence of Blade Runner. BLADE RUNNER NUMBER$0 = Number of weeks nation’s top- grossing movie. Number of sequels. Rank among top- earning movies of The Ladd Company’s 1. Number of Academy Award nominations. Rank among top- earning movies during opening weekend. Rank among top- earning movies of Warner Bros.’ 1.

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Rank among top- earning science- fiction films of 1. Number of months between theatrical release and home- video release. Number of 7. 0mm prints. Rank among top- earning movies of 1. Rank among top- earning R- rated films of 1.

Number of weeks of longest- running engagement. Rank among top- earning movies of 1. Rank among top- earning movies of 1. Number of opening- week engagements$2. Suggested retail price of initial home video release (videodiscs)$7. Suggested retail price of initial home video release (VHS and Beta)$4,7.

Opening- weekend per- screen average$1. Box- office gross (2. Final Cut re- release)$3.

Box- office gross (1. Les Freres Scott Saison 7 Episode 6. Watch You Don`T Know Jack Online Hoyts. Director’s Cut re- release)$6.

Opening- weekend box- office gross$1. Box- office rental (domestic)$1. Opening- weekend box- office gross (adjusted for inflation)$2.

Box- office gross (1. Production cost$3. Box- office gross (1. Box- office rental (adjusted for inflation)$7. Production cost (adjusted for inflation)$7. Box- office gross (adjusted for inflation)A SAMPLING OF MOVIE REVIEWER QUOTES“The most astonishing look at the future ever put on film.” — California Magazine“Blade Runner may be the wrong picture at the wrong time. Steven Spielberg has convinced us that extra- terrestrial creatures can be a boy’s best friend, and Star Trek II has us feeling optimistic about the future again.

Science- fiction, in short, has never appeared rosier. So here comes Blade Runner, the gloomiest glimpse of things to come since A Clockwork Orange, and with none of the scalding humor that helped make that Stanley Kubrick classic watchable.” — George Anderson, Pittsburgh Post- Gazette“Director Ridley Scott and his entire creative cadre have made an extraordinary- looking film that combines film noir and science fiction to probe a world where you can no longer tell who’s human any more. Every detail of the film’s environment is so seductively, splendidly and distractingly designed that it feels emperor’s new clothes- ish to point out that there is embarrassingly little else to the film.” — Sheila Benson, Los Angeles Times“Blade Runner is like science fiction pornography — all sensation and no heart.” — Pat Berman, The State (Columbia, SC)“In the rush to view the future, Scott forgot that movies are not, contrary to the industry’s fondest hopes, made of stainless steel special effects, but of screenplays. There is no screenplay in Blade Runner, merely an idea extracted from the Philip K.

Dick novel Do Androids Dream of Electric Sheep? Mickey Spillane on a bad day would toss into the waste basket. Ron Base, Toronto Star“The scope and brilliance of Blade Runner’s vision is the good news. The bad news is that Blade Runner’s story is absolutely hopeless, a confusing tower of babble that has great gaps of logic, abysmal structure and cardboard characters… In an attempt to explain things, a voice- over narration by Deckard, a la Sam Spade, has been added, but Ford reads it as if he had just been handed the lines; he sounds flat, unconvincing. And while the explanation helps on a few items, it still cannot fill the many holes.” — Phil Kloer, The (Jacksonville) Florida Times- Union“Hauer, who was a superb villain in the little- seen Nighthawks, again makes a charismatic menace, spewing hatred and bitterness that boil hotter with successive scenes. His final conflict with Ford is a test of human — and inhuman — endurance.” — Philip Wuntch, The Dallas Morning News“Blade Runner is a handsome and imaginatively designed film.

Indeed, so much care has been lavished on this bizarre and very convincing vision of urban America in 2. This proves a great pity since Blade Runner is crammed with interesting and adult ideas and brims with the potential to be a truly memorable film.” — Desmond Ryan, Philadelphia Inquirer“Scott is a master of production design, of imagining other worlds of the future (Alien) and the past (The Duellists). He seems more concerned with creating his film worlds than populating them with plausible characters, and that’s the trouble this time. Blade Runner is a stunningly interesting visual achievement, but a failure as a story.” — Roger Ebert, Chicago Sun- Times“Blade Runner is a triumphant blending of human drama and science fiction. It may not be a summer blockbuster — it won’t satisfy the young audience it needs for that — but it’s going to end up one of the summer’s, and maybe the year’s, best movies.” — Jack Mathews, Detroit Free Press“Ridley Scott’s reported $3. November 2. 01. 9 in a brilliantly imagined Los Angeles marked by both technological wonders and horrendous squalor.” — Variety“Blade Runner, a grim sci- fi adventure set in the near future, looks terrific but is empty at its core. What’s missing? For starters, how about a story.” — Gene Siskel, Chicago Tribune“If anybody comes around with a test to detect humanoids, maybe Ridley Scott and his associates should hide.” — Pauline Kael, The New Yorker“[W]hat really irked me about Blade Runner was its seemingly tacked- on, totally superfluous, ‘Feel Good’ ending.