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    They raise the question of fear of losing one’s identity amidst the cold war environment, or just to show that there are sinister threats from without & within! Writers like Charles Beaumont, Richard Matheson, Ray Bradbury were great at conjuring these “Outsider’ themes. I’d love to have included It Came From Outer Space (1.

    Eye creatures that happened to be friendly aliens who crash land in a desert cave. It Came From Outer Space 1. Richard Carlson and Barbara Rush. Watch Fair Chase Mojoboxoffice. I love these existential fellas, scary as they may be. Like Grendel who is the consummate existential literary figure and he was hideous, yet he’s one of my favorite characters in literature.

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    Grendel struggles with the eternal question, am I a monster or a hero? While these movie monsters may be hideous to some, I find them compelling and heroic in their journey to claim their place in a hostile world. Except for those nasty soul eating land crabs whom I love just because they’re so cheeky, cheesy and entertaining as hell! For me the quintessential existential man/monster, (and that’s not a pants monster ) is Mary Shelley’sliterary Prometheus re- imagined by Jame’s Whale’s flagrant masterpiece.

    And let me get this straight-- It was all a dream?! Stats: Let's Get Outta Here. Mundo depravados. Most explicit of the three movies, full of full frontal.

    A man made from the scraps of robbed corpses and brought to life by the electrical secrets of heaven. Yes, Frankenstein’s Monster portrayed by the great Boris Karloffmanifested a truly complex enigma of conception, creation, and existential angst who’s both fearsome yet sympathetic. We can sympathize with the monster, as with Frankenstein, & The Gill Man from Creature From the Black Lagoon. We can find our involvement (at least I can), as one viewed with empathy toward the monster’s predicament.

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    Depending on how much the film constructs it’s viewpoint which leans toward creating pathos in the narrative. Usually permitting these monsters to express human desires, and then making sure that those desires are thwarted and frustrated and ultimately destroyed. The Outsider Narrative” can be seen so clearly in the horror/sci- fi hybrid Creature From The Black Lagoon. Film monsters like The Gill Man form vivid memories for us, becoming icons and laying the groundwork for the classical experience of good horror. I think Creature From The Black Lagoonis quite a perfect film, as it works on so many different levels. The most obvious is that scientists have invaded a unique creature’s habitat only to force their domination and belligerence on him. And in the midst of this evolves a sort of a skewed Romeo and Juliet romance.

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